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History of Modern Art, 6th Edition
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Review
For over four decades, H. H. Arnason's History of Modern Art has been an indispensible guide to a large and complex subject. Revised and expanded by co-author Elizabeth C. Mansfield, the sixth edition presents a comprehensive overview of modern art with fascinating new material on such topics as Postmodernism, globalization, and art institutions in the twenty-first century. Alan Wallach, William and Mary College Elizabeth Mansfield’s revised History of Modern Art is as expansive as modernism itself. Beginning at 19th-century realism in France and ending with contemporary globalization, her survey embraces an impressive range of aesthetic developments across numerous media, I especially admire how she organizes modernism’s great diversity under a clear interpretative framework maintained through all 27 chapters. Her book will prove an invaluable tool for educators. Andrés Mario Zervigón, Assistant Professor, Dept. of Art History, Rutgers University. Bravo. Most thorough and useful revision of a textbook I have seen in more than four decades of teaching. Carl Goldstein, University of North Carolina at Greensboro I will definitely adopt this revised edition as it is tremendously improved in organization and structure. Elizabeth Mix (formerly Elizabeth Menon), Butler University The revisions to Arnason’s History of Modern Art broaden the overall historical contexts of modernism and address more fully the implications of modernism in art and their relationship with the history of the modern Western world. The rewritten edition attempts to include more non-Western European and North American artists and is much more sophisticated in its handling of the historiography of art history. Damon Willick, Loyola Marymount University Exciting, more comprehensive and inclusive rather than exclusive! Mansfield’s revisions make the text far more accessible. Barbara L. Miller, Western Washington University
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About the Author
Elizabeth C. Mansfield is Associate Professor of art history at New York University. A scholar of modern European art and art historiography, her publications include books and articles on topics ranging from the origins of modernism to Picasso’s Demoiselles d’Avignon to the contemporary performance and body art of Orlan. A fellow at the National Humanities Center in 2008-09, she received the College Art Association’s Charles Rufus Morey book award in 2008 for Too Beautiful to Picture: Zeus, Myth, and Mimesis. (http://arthistory.as.nyu.edu/object/ElizabethMansfield.html) The late H.H. Arnason was a distinguished art historian, educator, and museum administrator who for many years was Vice President for Art Administration of the Solomon Guggenheim Museum in New York. He began his professional life in academia, teaching at Northwestern University, University of Chicago, and the University of Hawaii. From 1947 to 1961, Arnason was Professor and Chairman of the Department of Art at the University of Minnesota.
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Product details
Paperback: 830 pages
Publisher: Pearson; 6th edition (August 6, 2009)
Language: English
ISBN-10: 0136062067
ISBN-13: 978-0136062066
Product Dimensions:
8.7 x 1.4 x 11.4 inches
Shipping Weight: 5.9 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
91 customer reviews
Amazon Best Sellers Rank:
#235,479 in Books (See Top 100 in Books)
I saw this book in a museum (the High Museum of Art in Atlanta, GA) and had the chance to peruse the museum's copy (which was of the previous edition) before buying it. After just spending 15-20 minutes with it in the museum, I became convinced that it was worth the hefty price. Now, having purchased the most recent edition, I am glad I did. It is an expensive book, but worth the price, in my opinion, as it contains a wealth of information and a wealth of art.The book was originally written by H.H. Arnason, who, as the book's Preface explains, was Professor and Chairman of the University of Minnesota's Art Department from 1947 to 1961. He also held other posts and was affiliated with the Guggenheim Museum. Since Arnason passed away some time ago, recent editions of the book have been updated by Elizabeth C. Mansfield (Associate Professor of Art at NYU), who has brought the book up to the present (as recent as 2006) with sections on globalization and postcolonial theory.Both Arnason and Mansfield are clearly intelligent scholars who place the art within its historical context to help us to see what it did, where the innovations were, and what conflicts and issues were live at that time. For example, the opening chapter deals with the legal case between Ruskin and Whistler, in which Whistler sued Ruskin for libel when Ruskin defamed Whistler's painting "Nocturne in Black and Gold." The battle was over whether Whistler could charge such a large amount of money for something that, in Ruskin's eyes, was not art. The (his)story is told in a very readable way, with the painting shown, and it is a perfect and intelligent way to open the book, since a crucial issue involved in modern art is, what makes it art and who decides?I have not had time to work my way through the whole book (it is 830 pages), but I have liked very much what I have read so far. The index is handy for finding the artists one is interested in, if you don't want to wade through the book, since the chapters are organized thematically. The book may be intended for College textbook use, but I think it is definitely interesting enough to be read by anyone interested in art and painting. It's probably a bit too large and intimidating to work well as a real "introductory" book for someone who knows nothing about art or modern art (unless you have a seriously scholarly mind), but otherwise, I think it is as accessible as it can be given its size and scope, it makes for some great reading and it also passes as a good reference work. I recommend it.
Arnason goes into great detail for each art genre that existed during the 20th (and now 21st) century. It is a more engaging and explanative art history book than many others I have encountered. She writes in a fashion that is completely understandable yet very intelligent, rather than the strictly scholarly speak I have found in other volumes.
Nice overview of modern art. It's what I wanted. The particular copy I got was in good condition for an excellent price.
This is a pretty amazing treatment of the arts including photography and architecture from the late 19th century though the 20th to the early years of this century. It's not an easy read although well worth it. In addition to treatments of various works of art and artists the authors discuss their role inn the society of the time and in the larger scope of art.Janet Condino
Needed it for a class and it was helpful.
Bought for class, but really easy to read and love the photos. Nice book.
great book. Tons of info
Great book, but absurdly heavy. I guess that's the tradeoff for a durable book.
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